Person
ISNI: 
0000 0001 1063 3483
https://isni.org/isni/0000000110633483
Name: 
Allan, Thomas
Allen, Sir Thomas Boaz
Allen, Thomas,
Allen, Thomas Boaz
Allen, Thomas Boaz (Vollstaendiger Name)
Allen, Thomas (Sir)
Sir Thomas Allen
Thomas Allen (artiste lyrique)
Thomas Allen (baritono inglese)
Thomas Allen (englischer Opernsänger)
Thomas Allen (English operatic baritone)
Thomas Allen (zanger uit Engeland)
Томас Аллен
Dates: 
1944-
Creation class: 
cre
Language material
Musical sound recording
Projected medium
Creation role: 
author
contributor
creator
instrumentalist
performer
singer
vocalist
Related names: 
Boito, Arrigo (co-author)
Britten, Benjamin (1913-1976)
Britten, Benjamin (co-author)
Britten, Edward Benjamin (1913-1976)
Burton, Humphrey (co-author)
Carreras, José (1946-)
Domingo, Plácido (1941-)
Donizetti, Gaetano (co-author)
Fauré, Gabriel (co-author)
Gluck, Christoph Willibald von (co-author)
Gounod, Charles (co-author)
Händel, Georg Friedrich (co-author)
Leoncavallo, Ruggero (co-author)
London Symphony Orchestra
Mahler, Gustav (co-author)
Marriner, Neville (1924-...)
Marriner, Neville (1924-)
Massenet, Jules (co-author)
McCarthy, John (1919-2009)
Mozart, Wolfgang Amadeus (1756-1791)
Mozart, Wolfgang Amadeus (co-author)
Ogus, Anthony Ian (co-author)
Orff, Carl (co-author)
Purcell, Henry (co-author)
Rossini, Gioachino (co-author)
Royal Opera House (Londona, Lielbritānija). Orchestra
Royal Opera House (Londres) Orchestra
Simon Fraser University
Tappy, Eric
Van Allan, Richard (1935-2008))
Vaughan Williams, Ralph (1872-1958)
Vaughan Williams, Ralph (co-author)
Vento, Marc
Virgin classics ltd
Titles: 
12 Irish Songs WoO 154: No. 4, "The Pulse of an Irishman"
12 Irish Songs WoO 154: No. 6, "Put Round the Bright Wine"
12 Irish Songs WoO 154: No. 8, "Save Me From the Grace and Wise"
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
23 Songs of Various Nationalities, WoO 158a
25 Irish Songs, WoO 152: No. 17 "In vain to this desert" (duet)
3 Duette, op. 20
3 Songs, op. 2
3 Songs, op. 3
3 Songs, op. 45
3 Volkslieder, WoO 11
4 Gesänge, op. 43
4 Gesänge, op. 70
4 Lieder, op. 46
4 Lieder, op. 96
5 Lieder, op. 106
5 Lieder, op. 107
5 Lieder, op. 47
5 Lieder, op. 49
5 Lieder, op. 71
6 Lieder, op. 85
6 Lieder, op. 86
6 Lieder, op. 97
7 Lieder, op. 48
8 Lieder und Gesänge, op. 57
8 Lieder und Gesänge, op. 59
9 Lieder und Gesänge, op. 32
9 Lieder und Gesänge, op. 63
Alexander's feast
Amitié reprends ton empire
Arabesque, An
Ascanio in Alba.
bal masqué, FP 60, Le
barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro), Il
barbiere di Siviglia: Atto II, Il
Béatrice et Bénédict
Bessie Bobtail, op. 2 no. 3
Best loved classics volume 5
Best Mozart 50
bestiaire, ou Cortège d'Orphée, FP 15a, Le
Billy Budd.
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms
bohème: Atto I. In soffitta, La
bohème: Atto II. Al Quartiere Latino, La
bohème: Atto III. La Barriera d'Enfer, La
bohème: Atto IV. In soffitta, La
Bredon Hill and Other Songs
Bürgschaft, D. 246, Die
Candide: Act I. Auto da fé (What a Day)
Candide: Act I. Chorale
Candide: Act I. Dear Boy
Candide: Act I. Life Is Happiness Indeed
Candide: Act I. Paris Waltz
Candide: Act I. Quartet Finale
Candide: Act I. The Best of All Possible Worlds
Candide: Act I. You Were Dead, You Know
Candide: Act II. Alleluia
Candide: Act II. Make Our Garden Grow
Candide: Act II. Sheep Song
Candide: Act II. The Kings’ Barcarolle
Carmen : Acte I
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes)
Carmen, WD 31
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
Carmina Burana: II. In Taberna: XI. Estuans interius
Carmina Burana: II. In Taberna: XIII. Ego sum abbas
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
Cavalleria Rusticana, Pagliacci : highlights
chasseur danois, op. 19 no. 6, H. 104A, Le
complete works 150th anniversary edition, The
Così fan tutte: Atto I
Cunning Little Vixen: Act I, The
Cunning Little Vixen: Act III, The
cunning little vixen, The : opera in three acts
Curlew river
Da Ponte operas Le nozze di Figaro, Don Giovanni, Cosi fan tutte, The
Daisies, op. 2 no. 1, The
deutsches Requiem, op. 45, Ein
Dichterliebe, op. 48
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido)
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
die Freude, D. 189, An
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale Minuetto “Da bravi, via, ballate!” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni), Il
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
Don Pasquale
Dona nobis pacem
Du bist wie eine Blume, op. 25 no. 24
Dylan Thomas Trilogy, A
Early 2K
Eichendorff-Lieder
Elias
Elijah
elisir d'amore, L'
Emma, D. 113, An
Enfance du Christ: Deuxième Partie: “La Fuite en Égypte”, L'
Enfance du Christ: Première Partie: “Le Songe d’Hérode”, L'
Enfance du Christ: Troisième Partie: “L’Arrivée à Saïs”, L'
Entzückung an Laura, D. 390, Die
Entzückung an Laura, D. 577, Die
Eugen Onegin Querschnitt
Evgenij Onegin'
Fantasia on Christmas Carols
Fascination opera : special opera sampler
Faust : Acte II. No. 6 Scène et récit « Ô sainte médaille » (Valentin, Wagner, Siébel, Chœur)
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur)
Faust : Acte IV
Feel Like Going On, I
Figaros Hochzeit
Five Mystical Songs, No. 1: Easter
Five Mystical Songs, No. 2: I Got Me Flowers
Five Mystical Songs, No. 3: Love Bade Me Welcome
Five Mystical Songs, No. 4: The Call
Five Mystical Songs, No. 5: Antiphon
Fledermaus, Die
Fleurs des landes, op. 13, H. 124
Four Songs, op. 13
Fuite, La
Funeral Music on the Death of Queen Mary: I. March, Z. 860
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman"
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17
Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
Funeral Music on the Death of Queen Mary: VII. March, Z. 860
Fünf Lieder und Gesänge, op. 127
Galop, Le
Geheimnis, D. 793, Das
Goethe-Lieder: No. 1. Harfenspieler I "Wer sich der Einsamkeit ergibt"
Goethe-Lieder: No. 11. Der Rattenfänger "Ich bin der wohlbekannte Sänger"
Goethe-Lieder: No. 2. Harfenspieler II "An die Türen will ich schleichen"
Goethe-Lieder: No. 24. Blumengruß "Der Strauß, den ich gepflücket"
Goethe-Lieder: No. 25. Gleich und Gleich "Ein Blumenglöckchen vom Boden"
Goethe-Lieder: No. 29. Anakreons Grab "Wo die Rose hier blüht"
Goethe-Lieder: No. 3. Harfenspieler III "Wer nie sein Brot mit Tränen aß"
Goethe-Lieder: No. 32. Phänomen "Wenn zu der Regenwand"
Goethe-Lieder: No. 33. Erschaffen und Beleben "Hans Adam war"
Goethe-Lieder: No. 34. Ob der Koran von Ewigkeit sei?
Goethe-Lieder: No. 35. Trunken müssen wir alle sein!
Goethe-Lieder: No. 36. So lang man nüchtern ist
Goethe-Lieder: No. 37. Sie haben wegen der Trunkenheit
Goethe-Lieder: No. 38. Was in der Schenke waren heute
Goethe-Lieder: No. 4. Spottlied aus "Wilhelm Meister" "Ich armer Teufel"
Green Lowland of Pianos, op. 45 no. 2, A
Hear an Army, op. 10 no. 3, I
House of Life, The
I Pagliacci highlights
I’ve got a little list
If I loved you love duets from the musicals.
Il barbiere di Siviglia
In Summertime on Bredon
Iphigénie en Tauride, Wq. 46
Je crois en vous
Jüngling am Bache, D. 638, Der
King Priam
Kiss Me, Kate
klagende Lied
Knaben Wunderhorn
L’Horizon chimérique, op. 118
La discothèque idéale de l'opéra les plus beaux extraits
Lamento
Laura am Klavier, D. 388
Le nozze di Figaro
Leichenphantasie, D. 7
Lélio, ou le Retour à la Vie, op. 14b: III. Chanson de brigands
Lied eines Schiffers an die Dioskuren, D. 360
Lieder eines fahrenden Gesellen
Liederkreis, op. 24
Linden Lea
London concert
Lord, thou hast been our refuge
Lyrische Symphonie, op. 18
Mädchen aus der Fremde, D. 117, Das
Manoir de Rosemonde, Le
Manon Lescaut
Married to a Mermaid
Massenet edition
Mefistofele: Atto I
Mélodies
Merrie England: Act I
Mörike-Lieder: No. 10. Fußreise "Am frisch geschnittnen Wanderstab"
Mörike-Lieder: No. 11. An eine Äolsharfe "Angelehnt an die Epheuwand"
Mörike-Lieder: No. 16. Elfenlied "Bei Nacht im Dorf der Wächter reif"
Mörike-Lieder: No. 17. Der Gärtner "Auf ihrem Leibrößlein"
Mörike-Lieder: No. 37. Heimweh "Anders wird die Welt"
Mörike-Lieder: No. 4. Jägerlied "Zierlich ist des Vogels Tritt im Schnee"
Mörike-Lieder: No. 46. Gesang Weylas "Du bist Orplid, mein Land!"
Mörike-Lieder: No. 5. Der Tambour “Wenn meine Mutter hexen könnt’”
Music for the Funeral of Queen Mary, Z. 860
Musique pour la Reine Mary, français
Neuf Mélodies Irlandaises, op. 2b, H. 38
noces de Figaro
Nocturne, op. 13 no. 4
Now Have I Fed and Eaten Up the Rose, op. 45 no. 1
nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro), Le
nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna), Le
nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro), Le
nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa), Le
nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Atto II, Scena X. (no. 16) Finale “Ah signor… signor” (Antonio, Il Conte, La Contessa, Susanna, Figaro), Le
nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro), Le
nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna), Le
nozze di Figaro, K. 492: Atto III, Scena II. Recitativo “Via, fatti core” (La Contessa, Il Conte, Susanna), Le
nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte), Le
nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte), Le
nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro), Le
nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna), Le
nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna), Le
nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Il Conte, Tutti), Le
nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le
nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna), Le
nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna), Le
nozze di Figaro, KV 492: Atto IV. “Ah tutti contenti”, Le
Nozze di Figaro, Le, ooppera: Non piu andrai : aaria: Figaro, 1.näytös
nuits d'été op. 7
O Boundless, Boundless Evening, op. 45 no. 3
Oh, What a Beautiful Mornin’
Oklahoma!
On the idle hill of summer
Opéra passion
Pagliacci: Atto I
Pagliacci: Atto II
Perfect Day
Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen)
Phantom of the Opera, The
Phidylé
Pilgrim, D. 794, Der
Příhody lišky Bystroušky
Rain Has Fallen, op. 10 no. 1
Requiem, op. 48: II. Offertoire
Requiem, op. 48: VI. Libera me
Requiem, op. 9
Ridder Stigs runer, WoO 158a no. 1
ritorno d'Ulisse in patria
Romanzen und Balladen, op. 49
Rückert Lieder: III. Ich bin der Welt abhanden gekommen
Sailor's Song, Hob. XXVIa:31
Santa Cecilia
Saul
Schöne Minka, ich muß scheiden!, WoO 158a no. 16
Sea Fever
Sehnsucht, D. 52
Sérénade florentine
Serenade to music
Seu lindos olhos, WoO 158a no. 12
Seven Elizabethan Lyrics, op. 12
Sinfonien
Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing"
Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go"
Six Songs from A Shropshire Lad
Sixteen Songs: XV. The Sea, The
Sleep Now, op. 10 no. 2
Someone to talk to ; care and control of the homeless
Songs of Sunset, RT ii/5
Songs of the Sea, op. 91: I. Drake’s Drum. Tempo di marcia moderato – Largamente
Songs of Travel
Soupir
Sure on This Shining Night, op. 13 no. 3
Swimmers, S. 366
Symphonies
Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative
Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal
Symphony no. 1 "A Sea Symphony": II. On the Beach at Night, Alone
Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone
Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all
Symphony no. 1, "A Sea Symphony": IV. The Explorers
Symphony no. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer
Symphony no. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent
Symphony no. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns
Symphony no. 1, "A Sea Symphony": IVf. The Explorers: Sail forth, steer for the deep waters only
Symphony no. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul!
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Three Songs, op. 10
Travels with my opera glasses a fanatic's tales of delights and disappointments
Twelve Scottish Folksongs, WoO 156: No. 1, "The Banner of Buccleuch"
Twelve Scottish Folksongs, WoO 156: No. 10, "Glencoe"
Twelve Scottish Folksongs, WoO 156: No. 11, "Auld Lang Syne"
Twelve Scottish Folksongs, WoO 156: No. 12, "The Quaker's Wife"
Twelve Scottish Folksongs, WoO 156: No. 2, "Duncan Cray"
Twelve Scottish Folksongs, WoO 156: No. 3, "Up! Quit Thy Bower"
Twelve Scottish Folksongs, WoO 156: No. 4, "Ye Shepherds of This Pleasant Vale"
Twelve Scottish Folksongs, WoO 156: No. 7, "Polly Stewart"
Twelve Scottish Folksongs, WoO 156: No. 8, "Womankind"
Twelve Scottish Folksongs, WoO 156: No. 9, "Lochnagar"
Twelve Various Folksongs, WoO 157: No. 1, “God Save the King”
Twelve Various Folksongs, WoO 157: No. 11, "The Wandering Minstrel"
Twelve Various Folksongs, WoO 157: No. 3, "Charlie Is My Darling"
Twelve Various Folksongs, WoO 157: No. 4, "O Sanctissima"
Twelve Various Folksongs, WoO 157: No. 5, "The Miller of Dee"
Twelve Various Folksongs, WoO 157: No. 6, "A Health to the Brave"
Twelve Various Folksongs, WoO 157: No. 7, "Robin Adair"
Twelve Various Folksongs, WoO 157: No. 8, "By the Side of the Shannon"
Twelve Various Folksongs, WoO 157: No. 9, "Highlander's Lament"
Twenty-Five Scottish Songs, op. 108: No. 1, "Music, Love and Wine"
Twenty-Five Scottish Songs, op. 108: No. 12, "O, Had My Fate Been Join'd With Thine"
Twenty-Five Scottish Songs, op. 108: no. 13, “Come Fill, Fill, My Good Fellow”
Twenty-Five Scottish Songs, op. 108: No. 16, "Could This Ill World Have Been Contriv'd"
Twenty-Five Scottish Songs, op. 108: No. 19, "O Swiftly Glides the Bonny Boat"
Twenty-Five Scottish Songs, op. 108: No. 2, "Sunset"
Twenty-Five Scottish Songs, op. 108: No. 20, "Faithfu' Johnie"
Twenty-Five Scottish Songs, op. 108: No. 22, "The Highland Watch"
Twenty-Five Scottish Songs, op. 108: No. 3, "O Sweet Were the Hours"
Twenty-Five Scottish Songs, op. 108: No. 9, "Behold My Love How Green the Groves"
Vacation
Vague et la cloche, La
very best of Benjamin Britten, The
vier Weltalter, D. 391, Die
War Requiem, op. 66: II. Dies irae
War Requiem, op. 66: III. Offertorium
War Requiem, op. 66: IV. Sanctus
War Requiem, op. 66: VI. Libera me
Werke
Werther : Acte I. Clair de lune
Werther : Acte I. « Elle m'aime … elle pense à moi » – « Quelle prière de reconnaissance et d'amour » (Albert)
Werther : Acte I. « Sophie ! Albert ! Toi de retour » (Albert, Sophie)
Werther : Acte II. « Au bonheur dont mon âme est pleine… » – « Vous avez dit, mon âme est loyale et sincère » (Albert, Werther)
Werther : Acte II. « Frère, voyez le beau bouquet ! » – « Du gai soleil plein de flamme » (Sophie)
Werther : Acte II. « Heureux ! Pourrai je l'être encore ? » (Werther, Albert, Sophie)
Werther : Acte II. « J'aurais sur ma poitrine » (Werther)
Werther : Acte II. « Lorsque l'enfant revient d'un voyage, avant l'heure » (Werther)
Werther : Acte II. « Mais venez donc ! Le cortège s'approche » (Sophie, Werther)
Werther : Acte II. « Si ! Käthchen reviendra » (Johann, Schmidt)
Werther : Acte II. « Trois mois ! Voici trois mois que nous sommes unis ! » (Charlotte, Albert)
Werther : Acte II. « Un autre est son époux ! » (Werther)
Werther : Acte III. « Werther est de retour » (Albert, Charlotte)
Where Is the Life That Late I Led?
Winterreise, op. 89, D. 911
With Rue My Heart Is Laden, op. 2 no. 2
Yeomen of the Guard
Your hundred best opera tunes
Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno), Die
Zauberflöte, K. 620: Akt I, Die
Zauberflöte, K. 620: Akt II, Die
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз"
Евгений Онегин, op. 24: Действие второе
Евгений Онегин, op. 24: Действие первое
Евгений Онегин, op. 24: Действие третье
Notes: 
Baker's, 7th ed (Allen, Thomas; b. 9-10-44)
Baritones (Singers)
Fuller form of personal name: Thomas Boaz
Grove music online, February 10, 2017 (Allen, Sir Thomas (Boaz); born September 10, 1944, Seaham Harbour, Co. Durham; English baritone)
Music
Schoenberg, A. Kammersymphonie [SR] p1991 label (Thomas Allen) notes, p. 9 (baritone)
Thesis (M.A.)--Simon Fraser University, 1997
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