Person
ISNI: 
0000 0000 8789 2048
https://isni.org/isni/0000000087892048
Name: 
Halász, Michael
Michael Halász
Michael Halász (Hongaars dirigent)
Michael Halász (Hungarian conductor)
ミヒャエル・ハラース
Dates: 
1938-
Creation class: 
Language material
Musical sound recording
Notated music
Projected medium
Creation role: 
author
conductor
creator
performer
Related names: 
Anderson, Keith (1929- ))
Beethoven, Ludwig van
Beethoven, Ludwig van (1770-1827)
Beethoven, Ludwig van (co-author)
Bruch, Max (co-author)
Čajkovskij, Petr Ilʹič (co-author)
Edlinger, Richard (1958-)
Failoni Kamarazenekar
Fischer-Ledenice, Michael (co-author)
HNH International
Liszt, Franz (co-author)
Mahler, Gustav (co-author)
Mayer-Skumanz, Lene (co-author)
Mendelssohn Bartholdy, Felix (co-author)
Mozart, Wolfgang Amadeus (1756-1791)
Mozart, Wolfgang Amadeus (co-author)
Nicolaus Esterházy Sinfonia
Rubinštejn, Anton Grigor´evič (co-author)
Schubert, Franz (1797-1828)
Schubert, Franz (co-author)
Slovak Philharmonic Orchestra
Symfonický Orchester Ceskoslovenského rozhlasu v Bratislave
Verdi, Giuseppe (1813-1901))
Verdi, Giuseppe (co-author)
Vivaldi, Antonio (co-author)
Wagner, Richard (co-author)
Wielka Orkiestra Symfoniczna Polskiego Radia (Katowice)
Zagrebacka filharmonija
Titles: 
Aschenbrödel Cinderella
Beethoven un livre musical
Cello concerto in B minor, op. 104 String quartet no. 12 "American" in F major, op. 96
Classical chill
Concert per a piano núm. 1 en mi bemoll ; Les préludes ; Rapsòdies hongareses
Concert viool, orkest op.46 G gr.t.
Concerto for cello and orchestra Sonata for cello and piano ; Chants russes
Conciertos
creatures of Prometheus ballet Op. 43, The
Czarodziejski flet opera niemiecka w dwóch aktach
Don Carlo
Don Giovanni
Famous tenor arias.
ferne Klang, Der
fliegende Holländer, Der
Germany, Italy a musical visit to Bavarian palaces and Italy's southern Tyrol
Great opera
Great romantic symphonies
Koncerty
Lohengrin
musical journey, A : Paris
My first ballet album
My first classical music album
My first Tchaikovsky album
Naxos Mahler album, The
Naxos Mozart album, The
Naxos Schubert album, The
nozze di Figaro, Le
Obra selecta.
Óperas
Poematy symfoniczne
Předehry a árie z oper
préludes, Les
Rosamunde, D.797
Russian fireworks.
Simfonia núm. 1 en re M : Tità
Sinfonías
Stabat Mater Orfeo
Symphonie No. 8 'Unfinished'
Symphonies Nos. 1 and 2
Symphony nº 3 in E flat major, op. 55 "Eroica" ; Symphony nº 8 in F major, op. 93
Symphony No.5 in B flat major, D.485
Symphony nº 5 in C minor, op. 67 : Pastoral
Symphony no. 6 Don Quixote
Symphony No.8 in B minor, D 759 "Unfinished"
Symphony Nos. 6 & 1
Tannhäuser
Turandot: "Nessun dorma"
ultimate Mozart opera album, The
Violin concerto in G major, Op. 46
Zauberflöte
Contributed to or performed: 
Absalom
Academic Festival Overture, op. 80
Ach ich fühl's (Taikahuilu)
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Air varié no. 4 in B-flat major, op. 5 "Montagnard"
Amor rende sagace
Andrea Chenier: "Come, un bel dì" (Chenier)
Ballo in Maschera: "Di'tù se fedele" (Riccardo), Un
Ballo in Maschera: "Ma se m'è forza perderti" (Riccardo), Un
Barber of Seville: Overture
Barber of Seville: Overture, The
Beethoven: Symphony no. 5 / Schubert: Symphony no. 8 “Unfinished”
Bel Canto
Bohème: "Che gelida manina" (Rodolfo), La
Bridal Procession (from Feramors)
Calife de Bagdad: Overture, Le
capriccio drammatico, Il
Casse Noisette, ballet (extraits)
Cello Concerto in B minor, op. 104: I. Allegro
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo
Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato - Andante - Allegro vivo
Cello Concerto in D minor: I. Prélude. Lento - Allegro maestoso
Cello Concerto in D minor: II. Intermezzo. Andantino con moto - Allegro - Presto
Cello Concerto in D minor: III. Introduction. Andante - Allegro vivace
Cello Concerto in E minor / Introduction and Allegro / Elegy / Serenade for Strings / Salut d’amour / Pomp and Circumstance: March no. 1
Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
Cello Concerto in E minor, op. 85: I. Adagio - Moderato (Hilary and Jackie)
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
Cello Concerto in E minor, op. 85: III. Adagio
Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
Cello Concerto in E minor: 1st Movement
Cello Concerto in E minor: 2nd Movement
Cello Concerto in E minor: 4th Movement
Cello Concerto: Lento - allegro moderato
Cello Concertos
Che farò senza Euridice (Orfeus ja Eurydike)
Cinderella: Overture
Come un bel dì maggio (Andrea Chénier)
Concerto for Oboe and Strings (adapted for trumpet): IV. Allegro giusto
Concerto for Oboe and Strings: I. Introduzione (Larghetto)
Concerto for Oboe and Strings: II. Allegro
Concerto for Oboe and Strings: III. Siciliana
Concerto in C for Oboe & Wind Ensemble: Adagio - Polacca
Concerto in E-flat for Oboe & Orchestra: Maestoso e deciso - Larghetto cantabile - Allegro (alla polonese)
convito, Il
Creatures of Prometheus, op. 43, The
Creatures of Prometheus: Act I: Introduction, The
Creatures of Prometheus: Act I: No. 1. Poco adagio, The
Creatures of Prometheus: Act I: No. 2. Adagio - Allegro con brio, The
Creatures of Prometheus: Act I: No. 3. Minuetto, The
Creatures of Prometheus: Act I: Overture, The
Creatures of Prometheus: Act II: No. 10. Pastorale, The
Creatures of Prometheus: Act II: No. 11. Andante, The
Creatures of Prometheus: Act II: No. 12. Maestoso, The
Creatures of Prometheus: Act II: No. 13. Allegro, The
Creatures of Prometheus: Act II: No. 14. Andante, The
Creatures of Prometheus: Act II: No. 15. Andantino, The
Creatures of Prometheus: Act II: No. 16. Finale, The
Creatures of Prometheus: Act II: No. 4. Maestoso, The
Creatures of Prometheus: Act II: No. 5. Adagio, The
Creatures of Prometheus: Act II: No. 6. Un poco adagio, The
Creatures of Prometheus: Act II: No. 7. Grave, The
Creatures of Prometheus: Act II: No. 8. Allegro con brio, The
Creatures of Prometheus: Act II: No. 9. Adagio, The
Dance of the Bayaderes no. 2 (from Feramors)
Don Carlos: "Io la vidi" (Don Carlos)
Don Giovanni
Don Giovanni (Highlights)
Don Giovanni, K. 527: Act I, Scene 1: Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Don Giovanni, K. 527: Act I, Scene 10: Aria: “Ah fuggi il traditor” (Donna Elvira)
Don Giovanni, K. 527: Act I, Scene 12: Quartetto: “Non ti fidar, o misera” (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni)
Don Giovanni, K. 527: Act I, Scene 13 Appendix: Aria: “Dalla sua pace” (Don Ottavio)
Don Giovanni, K. 527: Act I, Scene 13: Recitativo accompagnato ed Aria: “Don Ottavio, son morta!” - Aria: “Or sai chi l'onore” (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scene 15: Aria: “Fin ch'han dal vino” (Don Giovanni)
Don Giovanni, K. 527: Act I, Scene 16: Aria: “Batti, batti, o bel Masetto” (Zerlina)
Don Giovanni, K. 527: Act I, Scene 3: Duetto: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scene 5: Aria: “Ah chi mi dice mai” (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scene 5: Aria: “Madamina, il catalogo e questo” (Leporello)
Don Giovanni, K. 527: Act I, Scene 7: Coro: “Giovinette che fate all'amore” (Zerlina, Masetto, Chorus)
Don Giovanni, K. 527: Act I, Scene 8: Aria: “Ho capito, signor si” (Masetto)
Don Giovanni, K. 527: Act I, Scene 9: Duettino: “La ci darem la mano” (Zerlina, Don Giovanni)
Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scene III. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scene III. Recitativo accompagnato e Duetto "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsu, spicciati presto" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi e la Stelle! che vedo!" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira)
Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina, Masetto)
Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
Don Giovanni, K. 527: Act I, Scene XII. Recitativo: Povera sventurata! (Don Giovanni)
Don Giovanni, K. 527: Act I, Scene XIII. Aria "Or sai chi l'onore" (Donna Anna)
Don Giovanni, K. 527: Act I, Scene XIII. Recitativo accompagnato ed Aria "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai creder deggio" (Don Giovanni)
Don Giovanni, K. 527: Act I, Scene XIX. "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
Don Giovanni, K. 527: Act I, Scene XIX. "Protegga il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)
Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
Don Giovanni, K. 527: Act I, Scene XVI. Finale "Presto, presto pria ch'ei venga / Scene XVII. "Su, svegliatevi, da bravi!" (Masetto, Zerlina, Don Giovanni, Chorus)
Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
Don Giovanni, K. 527: Act I, Scene XVIII. "Tra quest arbori celata" (Don Giovanni, Zerlina, Masetto)
Don Giovanni, K. 527: Act I, Scene XX. "Ecco il birbo" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto)
Don Giovanni, K. 527: Act I, Scene XX. "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina)
Don Giovanni, K. 527: Act I, Scene XX. "Trema, trema o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scene XX. "Venite pur avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
Don Giovanni, K. 527: Act II, Scene 10 Appendix 2: Recitativo accompagnato ed Aria: “In quali eccessi” (Donna Elvira)
Don Giovanni, K. 527: Act II, Scene 10: Aria: “Il mio tesoro intanto” (Don Ottavio)
Don Giovanni, K. 527: Act II, Scene 15: “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello, Chorus)
Don Giovanni, K. 527: Act II, Scene 16: “Questo e il fin” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Don Giovanni, K. 527: Act II, Scene 3: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
Don Giovanni, K. 527: Act II, Scene 6: Aria: “Vedrai, carino” (Zerlina)
Don Giovanni, K. 527: Act II, Scene I. Duetto "Eh, via, buffone, non mi seccar" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico, che ti par" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scene II. Terzetto "Ah taci ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
Don Giovanni, K. 527: Act II, Scene III. Recitativo "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'e gente alla finestra" (Don Giovanni)
Don Giovanni, K. 527: Act II, Scene IV. Recitativo "Non ci stanchiamo" / Aria "Meta di voi qua vadano" (Masetto, Don Giovanni)
Don Giovanni, K. 527: Act II, Scene IX. Aria "Ah, pieta, signori miei!" (Leporello)
Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Don Ottavio, Donna Elvira, Masetto)
Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! lascia ch'io senta: ottimamente" (Don Giovanni, Masetto)
Don Giovanni, K. 527: Act II, Scene VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina)
Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
Don Giovanni, K. 527: Act II, Scene VII. Sestetto "Sola, sola in buio loco" / Scene VIII. Ferma (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma!" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Don Giovanni, K. 527: Act II, Scene XI. Duetto "O statua gentilissima" (Leporello, Don Giovanni, Il Commendatore)
Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah questa bona" (Don Giovanni, Leporello, Il Commendatore)
Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio!" (Don Ottavio, Donna Anna)
Don Giovanni, K. 527: Act II, Scene XII. Recitativo accompagnato e Rondo "Crudele! Ah no, mio bene" (Donna Anna)
Don Giovanni, K. 527: Act II, Scene XII. Rondo "Non mi dir" (Donna Anna)
Don Giovanni, K. 527: Act II, Scene XIII. Finale "Gia la mensa e preparata" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scene XIV. "Ah, signor per carita" (Leporello, Don Giovanni)
Don Giovanni, K. 527: Act II, Scene XIV. "L'ultima prova" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scene XVI. "Ah dove e il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Don Giovanni, K. 527: Act II, Scene XVI. "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)
Don Giovanni, K. 527: Act II, Scene XXIa Appendix. Duetto "Per queste tue" (Leporello, Zerlina)
Don Giovanni, K. 527: Overture
Don Quixote (Humoresque for Orchestra), op. 87
donne rivali: Allegro assai spiritoso, Le
donne rivali: Allegro assai, Le
donne rivali: Andantino alla scozzese molto, Le
Dragons de Villars: Overture, Les
Famous Tenor Arias
fanciulla del west: "Ch'ella mi creda" (Johnson), La
Fantasy & Variations on a Cavatina From Beatrice di Tenda by Bellini
ferne Klang, Der
ferne Klang: Act I: Das war ein lustiges Spiel (Vigelius), Der
ferne Klang: Act I: Einleitung, Der
ferne Klang: Act I: Scene 1, Der
ferne Klang: Act I: Scene 2, Der
ferne Klang: Act I: Scene 3, Der
ferne Klang: Act I: Scene 4, Der
ferne Klang: Act I: Scene 5, Der
ferne Klang: Act I: Scene 5: Ja, ja, ich weiß (Grete) - Scene 6, Der
ferne Klang: Act I: Scene 7, Der
ferne Klang: Act I: Scene 8: Liegt ein schönes Kindchen in Moos! (Die Alte), Der
ferne Klang: Act I: Zwischenspiel, Der
ferne Klang: Act II: Ach, bin ich denn wirklich - so schön? (Grete) - Scene 6, Der
ferne Klang: Act II: Ballade: Die glühende Krone, Der
ferne Klang: Act II: Erlauben die Damen ... Das Blumenmädchen von Sorrent (Chevalier), Der
ferne Klang: Act II: Grete hat zu entscheiden (Graf) - Scene 7, Der
ferne Klang: Act II: Sagen Sie mir doch, Marchesa (Frauenstimmen), Der
ferne Klang: Act II: Scene 5, Der
ferne Klang: Act II: Scene 8, Der
ferne Klang: Act II: Scenes 1-4, Der
ferne Klang: Act II: Vorspiel, Der
ferne Klang: Act II: Zur rechten Stunde kommst du, mein Freund! (Greta) - Scene 9, Der
ferne Klang: Act III: Die Bäume rauschen ein wundersam Lied (Grete), Der
ferne Klang: Act III: Erinnerst Du Dich - das war eine Zeit (Schauspieler) - Scenes 2 - 4, Der
ferne Klang: Act III: Scene 1, Der
ferne Klang: Act III: Scene 10, Der
ferne Klang: Act III: Scene 13, Der
ferne Klang: Act III: Scene 14, Der
ferne Klang: Act III: Scene 5 - 7, Der
ferne Klang: Act III: Scene 9, Der
ferne Klang: Act III: Schutzen Sie mich (Grete) - Scene 8, Der
ferne Klang: Act III: Wie hieß sie denn - früher - ? (Rudolf) - Scenes 11 and 12, Der
ferne Klang: Act III: Zwischenspiel, Der
Fidelio
Fidelio, Act I: "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
Fidelio, Act I: "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro)
Fidelio, Act I: Dialogue: "Armer Jaquino" (Marzelline)
Fidelio, Act I: Dialogue: "Drei Schildwachen auf den Wall" (Pizarro, Rocco)
Fidelio, Act I: Dialogue: "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizarro, Rocco)
Fidelio, Act I: Dialogue: "Höre Fidelio!" (Rocco, Marzelline)
Fidelio, Act I: Dialogue: "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline)
Fidelio, Act I: Dialogue: "Marzelline! Marzelline!!" (Jaquino, Marzelline, Rocco, Leonore)
Fidelio, Act I: Dialogue: "Marzelline? Marzelline?" (Rocco, Marzelline, Jaquino, Leonore)
Fidelio, Act I: no. 1 Duet: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
Fidelio, Act I: no. 10 Finale: "O welche Lust" (Chorus of Prisoners)
Fidelio, Act I: no. 2 Aria: "O wär' ich schon mit dir vereint" (Marzelline)
Fidelio, Act I: no. 3 Quartet: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
Fidelio, Act I: no. 4 Aria: "Hat man nicht auch Gold beineben" (Rocco)
Fidelio, Act I: no. 5 Terzetto: "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
Fidelio, Act I: no. 6 March
Fidelio, Act I: no. 7 Aria and Chorus: "Ha! welch ein Augenblick!" (Pizarro, the Watch)
Fidelio, Act I: no. 8 Duet: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore)
Fidelio, Act I: Overture
Fidelio, Act II: "Des besten Königs Wink und Wille" (Don Fernando, People and Prisoners, Rocco, Pizarro, Leonore, Marzelline, Florestan)
Fidelio, Act II: "Wer ein holdes Weib errungen" (People and Prisoners, Florestan, Leonore, Marzelline, Jaquino, Rocco, Don Fernando)
Fidelio, Act II: Dialogue: "Alles ist bereit" (Rocco, Florestan, Leonore)
Fidelio, Act II: Dialogue: "Er erwacht!" (Leonore, Rocco, Florestan)
Fidelio, Act II: no 11. Introduction and Aria: "Gott! welch' Dunkel hier!" (Florestan)
Fidelio, Act II: no 12. Melodrama and Duet: "Wie kalt ist es" (Leonore, Rocco)
Fidelio, Act II: no 13. Terzetto: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Fidelio, Act II: no 14. Quartet: "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
Fidelio, Act II: no 15. Duet: "O namenlose Freude!" (Leonore, Forestan)
Fidelio, Act II: no 16. Finale: "Heil! Heil sei dem Tag!" (People and Prisoners)
Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco)
Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust"
Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco)
Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus)
Fidelio, Op. 72: Act I, Scene II, No. 6. March
Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
Fidelio, op. 72: Act I. “Mir ist so wunderbar”
Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan)
Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)
Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus)
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists)
Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco)
Fidelio: Mir ist so wunderbar
finta Frascatana: Allegro di molto, La
finta Frascatana: Allegro molto, La
finta Frascatana: Andante con moto, La
finti nobili, I
Flying Dutchman / Tannhäuser / Lohengrin (Orchestral Highlights), The
Flying Dutchman: Overture, The
Gioconda: "Cielo e mar" (Enzio), La
Giunio Bruto
Harmonie
Héléna: Overture
Italian Girl in Algiers: Overture, The
Joseph: Overture
Judith
Konzertstück for Cello and Orchestra / Sonata for Cello and Piano / Ruralia Hungarica
Konzertstück for Cello and Orchestra, op. 12
Kyrie in D minor, K. 341
L’amante combattuto dalle donne di punto
L’amor costante: Allegro con spirito
L’amor costante: Andantino
L’amor costante: Presto
Leonora Overture no. 1, op. 138
Leonora Overture No. 2, Op. 72
Lesginka (Caucasian Dance (from The Demon)
Lied von der Erde, Das
Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das
Lied von der Erde: II. Der Einsame im Herbst, Das
Lied von der Erde: III. Von der Jugend, Das
Lied von der Erde: IV. Von der Schonheit, Das
Lied von der Erde: V. Der Trunkene im Fruhling, Das
Lied von der Erde: VI. Der Abschied, Das
Lohengrin: Introduction to Act III
Lohengrin: Prelude
Macbeth: "Ah, la paterna mano" (Malcolm)
Magic Flute (Highlights), The
Magic Flute, Act 1: “Zu hilfe! Zu hilfe!” (Tamino, The Three Ladies), The
Magic Flute: Papageno's Song, The
Magic Flute: Papageno’s Aria
Manon Lescaut: "Donna non vidi mai" (Des Grieux)
Mariage aux lanternes: Overture, Le
martirio, Il
Mass in C minor, K. 427 “Great Mass”
Mass in C minor, K. 427 “Great Mass”: Benidictus
Mass in C minor, K. 427 “Great Mass”: Credo: Credo in unum Deum
Mass in C minor, K. 427 “Great Mass”: Credo: Et incarnatus est
Mass in C minor, K. 427 “Great Mass”: Gloria: Cum Sancto Spiritu
Mass in C minor, K. 427 “Great Mass”: Gloria: Domine
Mass in C minor, K. 427 “Great Mass”: Gloria: Gloria
Mass in C minor, K. 427 “Great Mass”: Gloria: Gratias
Mass in C minor, K. 427 “Great Mass”: Gloria: Jesu Christe
Mass in C minor, K. 427 “Great Mass”: Gloria: Laudamus te
Mass in C minor, K. 427 “Great Mass”: Gloria: Qui tollis
Mass in C minor, K. 427 “Great Mass”: Gloria: Quoniam
Mass in C minor, K. 427 “Great Mass”: Kyrie
Mass in C minor, K. 427 “Great Mass”: Sanctus
matrimonio per sussurro, ossia Il cicisbeo discacciato: Allegro con spirito, Il
matrimonio per sussurro, ossia Il cicisbeo discacciato: Allegro, Il
matrimonio per sussurro, ossia Il cicisbeo discacciato: Andante, Il
Mazeppa
MINORITY REPORT Symphony No. 8 "Unfinished": I. Allegro moderato
Mousquetaires de la reine: Overture, Les
Nero - Festival March
Nessun dorma (Turandot)
Nessun dorma from "Turandot"
Nessun Dorma from Turandot (The Witches of Eastwick)
Nonne sanglante: Ouverture dramatique, La
nozze di Figaro, K. 492, Act I: Overture, Le
nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duettino "Cinque… dieci… Venti… trenta…" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le
nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le
nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le
nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le
nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le
nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act II, Scene II. Anhang. No. 13a Arietta "Un moto di gioia" (Susanna) [K. 579], Le
nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna), Le
nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Figaro, Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Susanna! ... Signore" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene VIII. No. 16 Finale "Susanna, son morta" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Ah signor... signor" (Antonio, Il Conte, La Contessa, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Marcellina, Bartolo, Basilio, Il Conte, La Contessa, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duettino "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo & Aria "Hai già vinta la causa! ... Vedrò, mentr'io sospiro" (Il Conte), Le
nozze di Figaro, K. 492: Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte), Le
nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro), Le
nozze di Figaro, K. 492: Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Bartolo), Le
nozze di Figaro, K. 492: Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le
nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo & Aria "E Susanna non vien! ... Dove sono i bei momenti" (La Contessa), Le
nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Canzonetta sull aria ... Che soave zeffiretto" (Susanna, La Contessa), Le
nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Piegato è il foglio" (La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze), Le
nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Cavatina "L'ho perduta... me meschina" (Barbarina), Le
nozze di Figaro, K. 492: Act IV, Scene II. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene III. Recitativo "Madre! ... Figlio!" (Figaro, Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene IV. Recitativo "Presto avvertiam Susanna" (Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Susanna, La Contessa, Marcellina, Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna!" (Il Conte, Susanna, Figaro, Cherubino, La Contessa), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Figaro, Susanna, Il Conte), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Cherubino, La Contessa), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Aria "In quegli anni in cui val poco" (Basilia), Le
nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo & Aria "Tutto è disposto ... Aprite un po' quegl'occhi" (Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene X. Anhang. No. 28a Rondo. Larghetto "Al desio di chi t'adora" (Susanna) [K. 577], Le
nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recicativo & Aria "Giunse alfin il momento ... Deh, vieni, non tardar" (Susanna), Le
nozze di Figaro, K. 492: Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo), Le
nozze di Figaro, K. 492: Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Figaro, Cherubino, La Contessa), Le
nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Figaro, Susanna, Il Conte, La Contessa, Coro), Le
nozze di Figaro, Le
Nutcracker - Danse de la fèe
Nutcracker - Danse des mirlitons
Nutcracker / Swan Lake
Nutcracker Suite, Op. 71a: II. March, The
Nutcracker Suite, op. 71a: III. Dance of the Sugar Plum Fairies, The
Nutcracker Suite, Op. 71a: VIII. Waltz of the Flowers, The
Nutcracker: Arabian Dance, The
Nutcracker: Chinese Dance, The
Nutcracker: Dance of the Sugar-Plum Fairy, The
Nutcracker: Dance of the toy trumpets, The
Nutcracker: Finale, The
Nutcracker: March, The
Nutcracker: Marche - Dance de la fee, The
Nutcracker: Overture / Chinese Dance / Dance of the Toy Flutes
Nutcracker: Overture, The
Nutcracker: Russian Dance, The
Nutcracker: Waltz of the Flowers, The
Opera Overtures
Opéra-Comique Overtures
Orfeo "Nel chiuso centro", Op. 2 No. 4: Euridice, e dove, e dove sei?
Orfeo "Nel chiuso centro", Op. 2 No. 4: Nel chiuso centro
Orfeo "Nel chiuso centro", Op. 2 No. 4: Si, che pietà non v'è
Overture to Tannhauser (Extract)
Overture to the Magic Flute (Extract)
Overtures
Overtures • 4
Overtures • 7
padre alla moda, I
Pagliacci: "Vesti la giubba" (Canio), I
Petite Mariée: Overture, La
pittor parigino: Allegro brioso molto, Il
pittor parigino: Allegro molto, Il
pittor parigino: Andantino grazioso, Il
Prelude to Act III of "Lohengrin"
Préludes, Les
Prometheus
Rigoletto: "La donna è mobile" (Duke)
Roi l’a dit: Overture, Le
Rosamunde: Ballet Music no. 2
San Filippo Neri che risuscita Paolo Massimi
Scène de ballet, op. 100
Schubert: Symphony No. 8 'Unfinished', Symphony No. 5
sdegni per amore: Allegro assai, I
sdegni per amore: Allegro ma non tanto, I
sdegni per amore: Rondo: Andante grazioso, I
Semiramis: Overture
Signor Bruschino: Overture, Il
Silken Ladder: Overture, The
Stabat Mater / Orfeo Cantata
Stabat Mater: Cujus animam gementem
Stabat mater: Eja mater fons amoris
Stabat mater: Fac ut portem Christi mortem
Stabat mater: Fac, ut ardeat cor meum
Stabat mater: Inflammatus et accensus
Stabat mater: O quam tristis et afflicta
Stabat Mater: Quae moerebat et dolebat
Stabat mater: Quando corpus morietur
Stabat mater: Quis est homo
Stabat mater: Sancta mater, istud agas
Stabat Mater: Stabat Mater dolorosa
Stabat mater: Vidit suum dulcem natum
SUM OF ALL FEARS Turandot: Nessun dorma, THE
Swan Lake - Act 4: Finale
Swan Lake, Op. 20: Act I: Dance of the Goblets
Swan Lake, Op. 20: Act I: Valse
Swan Lake, Op. 20: Act II: Dances of the Swans: Allegro
Swan Lake, Op. 20: Act II: Dances of the Swans: Andante
Swan Lake, Op. 20: Act II: Dances of the Swans: Tempo de valse
Swan Lake, Op. 20: Act II: Scene
Swan Lake, Op. 20: Act III: Hungarian Dance (Czardas)
Swan Lake, Op. 20: Act III: Neapolitan Dance
Swan Lake, Op. 20: Act III: Spanish Dance
Swan Lake, Op. 20: Act IV: Finale (abridged)
Swan Lake, Op. 20: Act IV. Scène finale
Swan Lake, Scene 1
Swan Lake: Valse
Swan Lake: Waltz
Symfoni i F moll
Symphonic Poems
Symphonie Concertante in A major, op. 10 no. 2: I. Allegro
Symphonie Concertante in A major, op. 10 no. 2: II. Rondeau
Symphonie Concertante in A major, op. 9 no. 2: I. Allegro
Symphonie Concertante in A major, op. 9 no. 2: II. Rondeau
Symphonie Concertante in C major, op. 9 no. 1: I. Allegro
Symphonie Concertante in C major, op. 9 no. 1: II. Rondeau
Symphonie Concertante in F major, op. 10 no. 1: I. Allegro
Symphonie Concertante in F major, op. 10 no. 1: II. Allegro
Symphonies #1-9
Symphonies 1-9
Symphonies concertantes / Symphony in G major
Symphonies no. 3, D. 200 / no. 6, D. 589
Symphonies no. 5 & no. 6 "Pastoral"
Symphonies Nos. 1 and 2
Symphonies nos. 8 & 5
Symphonies: Symphony no. 4 "Tragic", D. 417 / Symphony in C (Grand Duo, D. 812, orch. Joachim)
Symphony in C major: I. Allegro moderato
Symphony in C major: II. Andante
Symphony in C major: III. Scherzo: Allegro vivace
Symphony in C major: IV. Allegro vivace
Symphony in G major, op. 11 no. 1: I. Allegro
Symphony in G major, op. 11 no. 1: II. Andante
Symphony in G major, op. 11 no. 1: III. Allegro assai
Symphony no. 1 "Titan"
Symphony no. 1 in D major "Titan": Blumine (original 2nd movement)
Symphony no. 1 in D major "Titan": I. Langsam, schleppend
Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
Symphony no. 1 in D Major, D. 82: I. Adagio - Allegro Vivace
Symphony no. 1 in D Major, D. 82: II. Andante
Symphony no. 1 in D Major, D. 82: III. Menuetto: Allegretto
Symphony no. 1 in D Major, D. 82: IV. Allegro Vivace
Symphony no. 1 in E-flat major, op. 28: Allegro maestoso
Symphony no. 1 in E-flat major, op. 28: Finale Allegro guerriero
Symphony no. 1 in E-flat major, op. 28: Quasi Fantasia: Grave
Symphony no. 1 in E-flat major, op. 28: Scherzo: Presto
Symphony no. 10, op. 30
Symphony no. 2 in B-Flat Major, D. 125: I. Largo - Allegro Vivace
Symphony no. 2 in B-Flat Major, D. 125: II. Andante
Symphony no. 2 in B-Flat Major, D. 125: III. Menueto: Allegro Vivace
Symphony no. 2 in B-Flat Major, D. 125: IV. Presto Vivace
Symphony no. 2 in F minor, op. 36: Adagio ma non troppo –
Symphony no. 2 in F minor, op. 36: Allegro molto tranquillo
Symphony no. 2 in F minor, op. 36: Allegro passionato, ma un poco maestoso
Symphony no. 3 "Eroica" / Symphony no. 8
Symphony no. 3 “Eroica” / Leonora Overture no. 1
Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro
Symphony no. 3 in D major, D. 200: II. Allegretto
Symphony no. 3 in D major, D. 200: III. Menuetto: Vivace
Symphony no. 3 in D major, D. 200: IV. Presto vivace
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio (excerpt)
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (excerpt)
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
Symphony no. 4 "Tragic": Andante
Symphony no. 4 in C minor "Tragic", D. 417: I. Adagio molto - Allegro vivace
Symphony no. 4 in C minor "Tragic", D. 417: II. Andante
Symphony no. 4 in C minor "Tragic", D. 417: III. Menuetto: Allegro vivace
Symphony no. 4 in C minor "Tragic", D. 417: IV. Allegro
Symphony no. 4 in E minor, op. 98 / Academic Festival Overture
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
Symphony no. 4 in E minor, op. 98: II. Andante moderato
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato
Symphony No. 5 in B Major: Allegro
Symphony No. 5 in B Major: Allegro vivace
Symphony No. 5 in B Major: Andante con moto
Symphony no. 5 in B major: I. Allegro
Symphony no. 5 in B major: II. Andante con moto
Symphony no. 5 in B major: III. Menuetto: Allegro molto
Symphony no. 5 in B major: IV. Allegro vivace
Symphony No. 5 in B Major: Menuetto: allegro molto
Symphony No. 5 in B Major: Rosamunde: Ballet Music No.2
Symphony no. 5 in B-flat major, D. 485: Menuetto. Allegro molto
Symphony No. 6 "Pastoral" / Leonora Overture No. 2
Symphony no. 6 "Pastoral" / Symphony no. 1
Symphony No. 6 / Leonore Overture no. 2
Symphony no. 6 in C major D. 589: Andante
Symphony no. 6 in C major, D. 589: I. Adagio - Allegro
Symphony no. 6 in C major, D. 589: II. Andante
Symphony no. 6 in C major, D. 589: III. Scherzo. Presto
Symphony no. 6 in C major, D. 589: IV. Allegro moderato
Symphony no. 6 in F (Pastoral), op. 68: I. Allegro ma non troppo
Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo
Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso
Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro
Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro
Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm"
Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Thunderstorm" (excerpt)
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm"
Symphony no. 7
Symphony no. 7 / no. 10
Symphony no. 7, op. 24
Symphony no. 7: I. Langsam - Allegro con fuoco
Symphony no. 7: II. Nachtmusik: Allegro moderato
Symphony no. 7: III. Scherzo: Schattenhaft
Symphony no. 7: IV. Nachtmusik: Andante amoroso
Symphony no. 7: V. Rondo-Finale
Symphony No. 8 'Unfinished': Allegro moderato
Symphony No. 8 'Unfinished': Andante con moto
Symphony no. 8 "Unfinished": Allegro
Symphony no. 8 in B minor "Unfinished": I. Allegro moderato
Symphony No. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
Symphony no. 8 in B minor, D. 759, “Unfinished”: II. Andante con moto
Symphony no. 9
Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo
Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo: Allegro vivace
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace
Symphony no. 9 in C major, D. 944 "Great": IV. Finale: Allegro vivace
Symphony no. 9 in D major: I. Andante comodo
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Symphony no. 9, D. 944 "Great"
Symphony no. 9: III. Rondo-Burleske (excerpt)
Symphony no. 9: IV. Adagio (excerpt)
Tannhäuser: Entrance of the Guests from Act II
Tannhäuser: Overture
Tannhäuser: Tannhauser's Pilgrimage (Introduction to Act III)
Tannhäuser: Venusberg Music
Tasso
Thieving Magpie (excerpt), The
Thieving Magpie: Overture, The
Top 20 Hall of Fame Volume 1
Tosca: "E lucevan le stelle" (Cavaradossi)
Tosca: "Recondita armonia" (Cavaradossi)
tre amanti: Allegro di molto, I
tre amanti: Allegro molto, I
tre amanti: Andante con moto, I
trionfo della fede, Il
Trovatore: "Ah, Sì, ben mio" (Manrico), Il
Trovatore: Di quella pira, Il
Trumpet Concerto in E major: I. Allegro con spirito
Trumpet Concerto in E major: II. Andante
Trumpet Concerto in E major: III. Rondo
Trumpet Concerto in E-flat major, Hob. Vlle:1: III. Allegro
Trumpet Concerto in E-flat major: I. Allegro
Trumpet Concerto in E-flat major: II. Andante
Trumpet Concerto in E-flat major: III. Allegro
Tschaikovsky: Nussknacker
Turandot: "Nessun dorma" (Kalaf)
Turandot: “Nessun dorma”
Turandot: Act III, Scene I. “Nessun dorma!” (Calaf)
Violin Concerto in D minor in the Hungarian Style, op. 11: I. Allegro un poco maestoso
Violin Concerto in D minor in the Hungarian Style, op. 11: II. Romanze. Andante – Allegretto
Violin Concerto in D minor in the Hungarian Style, op. 11: III. Finale alla zingara: Allegro con spirito
Violin Concerto in G major, op. 46 / Don Quixote (Humoresque), op. 87
Violin Concerto in G major, op. 46: I. Moderato assai
Violin Concerto in G major, op. 46: II. Andante
Violin Concerto in G major, op. 46: III. Moderato assai
Violin Concerto in G minor in one movement, op. 3: Allegro – Presto assai
Violin Concerto in the Hungarian Style, op. 11 / Violin Concerto in G minor, op. 3
Violin Concerto no. 4 in D minor, op. 46
Violin Concerto no. 6 in A major, op. 70: I. Allegro moderato
Violin Concerto no. 6 in A major, op. 70: II. Allegretto
Violin Concerto no. 7 in G major, op. 76: I. Allegro maestoso / II. Andante tranquillo
Violin Concerto no. 7 in G major, op. 76: III. Allegro moderato
Violin Concertos nos. 4, 6 and 7 / Scènde de ballet / Air varié no. 4 "Montagnard"
Vogelfänger bin ich ja (Taikahuilu), Der
Waltz of the Flowers From "The Nutcracker"
William Tell Overture
William Tell: Overture
XXX - TRIPLE X Don Giovanni: Finch'han dal vino, "Champagne Aria""
Yön kuningattaren aaria (Taikahuilu)
Zampa: Overture
Zauberflöte (The Magic Flute), K. 620: Act I no. 2: Arie - Der Vogelfanger bin ich ja, Die
Zauberflöte (The Magic Flute), KV. 620: Act II. “Pa‐Pa‐Pa‐Pa‐Pa‐Pa‐Papageno” (Papageno, Papagena), Die
Zauberflöte, Die
Zauberflöte, K. 620: Act I, Scene I. Monologue "Wo bin ich?" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die
Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno), Die
Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht), Die
Zauberflöte, K. 620: Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina), Die
Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XIX. Wenn Tugend und Gerechtigkeit, Die
Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XVIII. Na, stolzer Jüngling, nur hierher!, Die
Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro), Die
Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris" (Sarastro, Priester), Die
Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die
Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno), Die
Zauberflöte, K. 620: Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro), Die
Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Jüngling! Dein standhaft männliches Betragen" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die
Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht), Die
Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), Die
Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die
Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena), Die
Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die
Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die
Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die
Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno), Die
Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die
Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno), Die
Zauberflöte, K. 620: Act II, Scene XXIX. Papagena! Papagena! Papagena!, Die
Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXVII. Tamino mein!, Die
Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Die
Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen), Die
Zauberflöte, K. 620: Act II, Scene XXX. Pa-Pa-Pa-Pa-Pa-Pa-Papagena!, Die
Zauberflöte, K. 620: Ouvertüre, Die
Zauberflöte: Marsch der Priester, Die
Notes: 
Conductors (Music)
Grove music online, Sept. 13, 2005 (Halász, Michael; b. May 21, 1938, Klausenburg, Hungary)
Rubinstein, A. Ballet music [SR] p1987 label (Michael Halász) container (b. 1938)
Rubinstein, A. Violin concerto in G major, op. 46 [SR] p1985 label (Michael Halász, conductor) container (b. Hungary)
Sources: 
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